Gracchus has given a dowry of four thousand gold pieces
For a horn-player, or one perhaps who plays the straight pipe;
The contract’s witnessed, ‘felicitations!’, a whole crowd
Asked to the feast, the ‘bride’ reclines in the husband’s lap.
O, you princes, is it a censor we need, or a prophet of doom?
Would you find it more terrible, think it more monstrous
Truly, if a woman gave birth to a calf, or a cow to a lamb?
He’s wearing brocade, the long full dress, and the veil,
He who bore the sacred objects tied to the mystic thong,
Sweating under the weight of shields. O, Romulus, Father
Of Rome, why has this evil touched the shepherds of Latium?
Where is it from, this sting that hurts your descendants, Mars?
Can you see a man noted for birth, wealth, wed to another man,
And your spear not beat the ground, your helmet stay firm,
And no complaint to the Father? Away then, forsake the stern
Campus’s acres, you neglect now. ‘I’ve a ceremony to attend
At dawn, tomorrow, down in the vale of Quirinus.’ ‘Why’s that?’
‘Why? Oh, a friend of mine’s marrying a male lover of his:
He’s asked a few guests.’ Live a while, and we’ll see it happen,
They’ll do it openly, want it reported as news in the daily gazette.
Meanwhile there’s one huge fact that torments these brides,
That they can’t give birth, and by that hang on to their husbands.
But it’s better that Nature grants their minds little power over
Their bodies: barren, they die; with her secret medicine chest,
Swollen Lyde’s no use, nor a blow from the agile Luperci.
Yet Gracchus beats even this outrage, in tunic, with trident,
A gladiator, circling the sand, as he flits about the arena:
He’s nobler in birth than the Marcelli, or the Capitolini,
Than the scions of Catulus and Paulus, or the Fabii,
Than all the front-row spectators, including Himself,
The one who staged that show with the nets and tridents.
Excerpted from Dorothy L. Sayers’ essay, “The Other Six Deadly Sins”
Hand in hand with covetousness goes its close companion — invidia or envy — which hates to see other men happy. The names by which it offers itself to the world’s applause are right and justice, and it makes a great parade of these austere virtues. It begins by asking, plausibly, “Why should I not enjoy what others enjoy?” and it ends by demanding, “Why should others enjoy what I may not?”
Envy is the great leveler, If it cannot level things up, it will level them down; and the words constantly in its mouth are “my rights” and “my wrongs.” At its best, envy is a climber and a snob; at its worst, it is a destroyer; rather than have anybody happier than itself, it will see us all miserable together.